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Artist Statement
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| Background: |
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I learned my basic woodworking skills working with my father in
his workshop, inherited my first set of tools from my grandfather
Nicolo Molignano and continue a family tradition of Italian craftsmanship.
Having been raised in a creative environment encouraged me to develop
my own skills and artistic sensitivities, which survived a scientific
Columbia University education. The many wonderful museums and galleries
of my native Manhattan as well as its impressive Art Deco architecture
have been a major influence on my design principals. Many years
of traveling in South America, Asia and Europe presented a multifaceted
vision of human creativity and culture, which inspired me to create
beautiful objects with my hands.
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| Artistic style and approach: |
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I am a sculptor and approach wood from the perspective of a solid
object that I want to shape by cutting away material to get to a
desired form hidden inside with the tree as my partner in creation
While living in Brazil I started making fine boxes out of solid
pieces of the country's native rosewoods and have continued to do
the same in my Oneonta, New York studio since 1984. I use the finest
woods in the world. Each piece is designed around the qualities
of the individual selection of wood as well as the characteristics
of the species of timber. Careful attention is given to a smooth
and harmonious flow of lines, appealing to the eye as well as the
touch of the hand.
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| Studio & Working Technique: |
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I work with my wife Fátima in my wood shop and finishing studio.
We do all work from design to finish to sales. All pieces are cut
out on the bandsaw with many sanding operations necessary to perfect
the shape. Final refinement is done with hand shaping and sanding.
In my finishing studio, lacquer is applied using a badger-hair brush
and a technique that I have developed over the years. The "flowed
on" finish is hand rubbed to a satin smoothness and polished. No
stains are used so the dramatic grain patterns and rich colors that
give each wood their unique personality can be appreciated. Felt
glides are added for a smooth action on moving parts and all interiors
are fully lined and pads placed on the bottoms of boxes. All woods
are harvested from sustainable yield forests from around the world
assuring their continued survival as well as the survival of the
working people that depend on them for their livelihood.
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Nick Molignano
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